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Mabel review: Neneh’s girl shines as gutsy new star of R&B

Another bite of the Cherry: Mabel performs at London's Heaven
Another bite of the Cherry: Mabel performs at London's Heaven

With her distinctive lyrical and musical style, Mabel McVey – known simply as Mabel to her many young fans – emerged as one of the brightest stars of British R&B last night during this sell-out performance at Heaven.

As far as musical heritages go, Mabel’s is an illustrious one; she’s the daughter of singer Neneh Cherry and Massive Attack producer Cameron McVey. Yet she is very much an artist in her own right, crafting a unique, soulful blend of Nineties-style R&B, pop and afrobeats.

However, it’s lyrically where Mabel is perhaps most interesting. As well as dealing with the typical issues a 21-year-old might be facing – growing up and identity struggles, for instance – Mabel’s fearless, gutsy lyrics also tackle gender stereotypes and controlling relationships. “Where are my ladies?” Mabel bellowed, three songs in. This was a predominantly female audience and her lyrics spoke to them all.

McVey has made it her mission to empower young women and they are certainly listening. This was especially visible on dynamic openers Bedroom and Begging. After a tentative start, Mabel grew in confidence, chatting with her audience and baring her infectious personality. On Know You Better – one of her breakthrough songs – she commanded the stage with excited imperatives: “London - move!” For someone who suffered anxiety issues as a teenager, tenacity and courage now seem to characterise everything Mabel does.

Her impressive vocal range was conveyed on closing track Finders Keepers and on her newer ballads, which echo early TLC and the original Sugababes – although, sadly, these more sedate moments were less well received.

Mabel is an assured, exciting performer. We are just at the start of her journey: it’ll be a joy to share it with her over the next few years.