Advertisement

Steel Banglez interview: 'My studios are gonna harbour the great superstars of the planet'

In the thick of the rap scene: DJ and producer Steel Banglez
In the thick of the rap scene: DJ and producer Steel Banglez

"It started in the corners of London, in pirate radio stations and record shops, and look where we are now,” says Steel Banglez, lounging on a sofa in the Kensington offices of one of the big three record labels, Warner Music.

The 31-year-old from Forest Gate was born Pahuldip Singh Sandhu, but everyone calls him Banglez after the bracelets he used to wear as part of the “Five Ks” of Sikhism. Today he’s got cropped hair and a black-and-white Adidas tracksuit. His ethnicity may set him apart from the rest of the UK rap scene but as a producer and DJ he’s been in the thick of its growth at every stage.

At 11, his two older brothers were DJing garage music and sneaking him into raves at London clubs such as Bagley’s. In his teens he was hosting a live phone-in show on pirate station Mystic FM, going to watch Pay As U Go Cartel and Heartless Crew — groups spearheading the evolution of garage into grime — and befriending his neighbour, rapper D Double E, who took him on tour with Dizzee Rascal.

Recently he has been the producer behind rap tracks such as J Hus’s Fisherman, No Words by Dave and Mist’s Game Changer, characterised by their relaxed pace and melodic piano chords. Now his name is coming round to the front of the record, with two solo singles this summer, featuring hot names Yxng Bane, MØ and Loski.

“I’ve seen pirate radio, the birth of grime, the prison system, the whole game,” he tells me. “There’s no one close to me who has this real-life experience and understands what’s really happening.”

He’s got the big talk and ambition, getting his phone out to show me texts from Justin Bieber’s manager Scooter Braun and video clips taken on Drake’s tour bus. “I had this dream of the UK underground music scene going mainstream. I wanted to be one of the most important figures so that one day I would be the Dr Dre or Pharrell Williams,” he says. “I’ve got a very big target to reach. If there’s 100 steps, I’m just on step 27, do you know what I mean?”

It’s already been a long road. Having been encouraged by his parents to play the Indian harmonium and the dhol drum, he moved onto piano and got an early A* in his music GCSE in Year 9. But soon he was getting into trouble instead. In 2005, aged 17, he was sentenced to six years in prison on a firearms charge, serving three.

“I don’t really like talking about what I did because that situation was not me,” he says. “That’s why I don’t smoke a lot of weed now. I used to smoke a lot and my thoughts were different. Also I never addressed some situations I had gone through as a child. Who I really am is not that guy. But it was a blessing for me because I was really a wild child and things could have been way worse than a six-year prison sentence.”

He was allowed a keyboard in prison, on which he made beats for rappers he met there including Fix Dot’M and Yung Meth. When he got out, his star began to rise and bigger names such as Ghetts, Krept & Konan and Chip started appearing on his songs. It wasn’t glamorous yet, though. He built a studio in a storage room in an office block in Canning Town, where he slept on a mattress on the floor. He washed his clothes in the local launderette and showered in the gym at the Crowne Plaza Hotel. Grime kingpin Wiley came to visit and found a notice on the door threatening to change the locks if he didn’t hurry up with the rent.

In 2014 he was working on an album with Cashtastic when the 20-year-old rapper was deported to his birthplace, Jamaica. It hit Banglez hard and he fell into depression. “I’d exhausted myself, I hadn’t taken care of myself in terms of my health and addiction to my work. I just had a crash, man.”

Things picked up again in early 2016 when he began to work with two newer rappers: north Londoner MoStack and Mist. The latter is unusual, firstly because he’s from Birmingham, and secondly because although he’s of Caribbean descent, he uses Asian slang in his lyrics. “He says, ‘Apnars, Karlas, Goras’ which means, ‘Asians, blacks and whites’ in Punjabi. It’s a unity thing,” explains Banglez. “When I heard him say that I was like, ‘This guy’s cracked it.’ He’s opened the door to bring the Asian community into the UK rap thing. Finally they found someone relatable. Mist brought that through, and me being Asian kind of certified it.”

Today Banglez has a year-old major label record deal and divides his time between a studio he built in his parents’ garden in Goodmayes, near Ilford (where he still lives), and the fancier Tape London Studio in Mayfair. The latter is where he experienced “one of the worst stories of my life” in 2016. He was woken up by a 3am call saying Justin Bieber had helicoptered into town from the V Festival and was ready to record something. Banglez hurried down to find that, with no engineer contactable, he didn’t know how to switch the studio on. “Bieber was sitting there with his girlfriend, watching Netflix and taking the piss out of me. It was the saddest drive home of my life.” They ended up doing a few days’ work together the following week.

Now Banglez has a Bieber collaborator on his own song. MØ, who sang with the star on Major Lazer’s No 1 single Cold Water, appears on his dance track, Your Lovin’. She’s Danish, another step towards the international recognition he craves. He doesn’t see any reason why his home-grown rap music shouldn’t appeal all over.

Next up is Hot Steppa, a single with teenage rapper Loski, and he says he’s talking to Clean Bandit about a song. If confidence was cash, he’s already a multi-millionaire. “I’m getting to that point where I’m gonna be accepted on a commercial level and my studios are gonna harbour the great superstars of the planet. People are gonna say, ‘See Steel Banglez for a hit’.”

Consider yourselves notified. A man with big plans is on the way up.