The House of Bernarda Alba at the National Theatre review: a study of repression horribly relevent to today

Director Rebecca Frecknall creates one of the finest acting ensembles of recent years for this remorseless study of repression, set in a house of women in 1930s Andalucia but horribly apt for today. Harriet Walter is Bernarda, mourning her dead husband with viciously formal observance. Her mother, her five daughters and two servants are played by a set of arrestingly watchable actresses, from Rosalind Eleazar to Bryony Hannah.