Is your playlist in need of some refreshment? We have some suggestions.
Kings of Convenience — Peace or Love
There's always been more to this Norwegian duo than quiet, soothing harmonies. The pair’s fourth album is far from folk, with a bossa nova feel to the energetically plucked guitars of Angel and jazzy violins dancing over Rocky Trail. The single Fever even features – stop the presses! – a drum machine, as well as the pair hitting charming falsettos.
Yves Tumor — Jackie
Yves Tumor’s rockstar transformation continues with this new single, a follow-up to their wonderful 2020 album Heaven To A Tortured Mind. It’s a fierce, glossy track, with brooding verses and a crashing chorus. The new music arrived with news of a tour — catch them at Electric Brixton in March next year.
Aldous Harding — Old Peel
Here’s one for any Aldous Harding fans who have missed seeing their hero live: this jaunty single is a studio version of the track that the New Zealander would finish off her most recent gigs with. It’s a one-off release, but she’s also announced that she’ll be coming to London next March, with two shows at the Barbican.
Chubby and the Gang — Coming Up Tough
West London punks Chubby and the Gang have confirmed a new album, The Mutt’s Nuts, out August 27. This rough and rowdy single will be sure to get the pints chucked at any upcoming gigs, but there’s a deeper message here, about young offenders getting sucked into the criminal justice system: “How can you prove ‘em wrong if no one even gave you a chance?”
Wet Leg — Chaise Longue
Newly signed to Domino, this is the debut single from Isle of Wight duo Rhian Teasdale and Hester Chambers, collectively known as Wet Leg. It’s a very strong start indeed — slightly surreal spoken-word vocals sit above a driving, indie rock, faintly krautrock-ish instrumental. It’s catchy, too. We’ll be keeping an eye on them.
Garbage — No Gods No Masters
While Garbage's sixth album, Strange Little Birds, sounded flat-out miserable, this seventh is furious. The Men Who Rule the World rages against the patriarchy in bizarrely fun fashion, while on Godhead, Shirley Manson sounds terrifying, singing in a threatening whisper over industrial clanks. It ensures Garbage can hold off on heritage act status and celebrate an inspiring present.
Megan Thee Stallion — Thot Shit
After a huge 2020, Megan Thee Stallion is back in business. The killer beats and ferocious flows on this new track are exactly the thing we’ve come to expect from the US artist, and it’s a must to check out the accompanying video. Featuring Megan as her alter ego Tina Snow, it’s a surreal story of revenge on hypocritical misogynists — with an ending that you won’t see coming.
Lorde — Solar Power
We’ve been waiting a while for the big Lorde comeback — it’s been four years since her Melodrama album — but now it’s all happening. We were told earlier in the week that the new record, Solar Power, will arrive later this year, and now the New Zealander has surprise-dropped the title track, a sun-kissed piece of folk-pop, which includes the line: “I’m kinda like a prettier Jesus.”
Marina — Ancient Dreams in a Modern Land
On her fifth album, Marina Diamandis is sounding defiant. “I don’t want to live in a man’s world anymore”, she asserts on lead single Man’s World, while on Purge the Poison (which has also been remixed with groundbreaking Russian punks Pussy Riot), she swipes at capitalism, Harvey Weinstein and more.
Tkay Maidza — Cashmere
Australian artist Tkay Maidza is gearing up to release the third installment of her Last Year Was Weird trilogy (the first two arrived in 2018 and 2020, although the title seems particularly apt this time round). Cashmere is one of the tracks set to feature — a vocally dextrous mix of singing and rapping over rubbery, twanging synths and a G-funk-ish bassline.
Lawrence Rothman — Not A Son
Lawrence Rothman — a producer and artist who has collaborated with the likes of Charli XCX, Kim Gordon and Angel Olsen — returns with a hugely powerful track exploring genderqueerness, speaking directly to parents who struggle to accept and understand it. The title has double meaning, both as a refusal to accept gendered terms, but also as a feeling of severed family ties.
Wolf Alice — Blue Weekend
Previously a pick ‘n’ mix act – a bit of angry grunge here, some shoegazing blurriness there, bouncy indie pop elsewhere, with lead singer Ellie Rowsell sampling a range of vocal styles – it was hard to get a firm grasp on who Wolf Alice were. Now, while the sound still has a broad scope, from the punk wallop of Play the Greatest Hits to the barely plucked guitar and wispy melody of No Hard Feelings, there’s a take-it-or-leave-it confidence to every song. It’s clear they know exactly what they’re doing.
Billie Eilish — Lost Cause
Time is ticking down until we get the most anticipated new album of 2021: Billie Eilish’s Happier Than Ever, due on July 30. Lost Cause is the latest offering to tide us over, another typically restrained track with little more than a sauntering drum track and a deep bassline. She’s in an unforgiving mood with the lyrics: “I used to wish you were mine/But that was way before I realised/ Someone like you would always be so easy to find.”
Greentea Peng — Man Made
It feels like we’ve been waiting for this for a while now — the south-east Londoner has been building hype for years — but now it’s here: the debut album from Aria Wells AKA Greentea Peng, which clocks in at a mega 18 tracks. A socially charged, sonically rich record, whose sound spreads from neo-soul to dub and beyond, it’s a bold statement from an artist on the up.
Tamaraebi — Spectrum
We could include this EP purely on the grounds that it includes a song inspired by Michael Sembello’s Maniac, but there’s plenty more to this alluring release from Lagos-born, UK-based artist Tamaraebi. With a killer falsetto that floats above all manner of silky grooves, it’s one of the smoothest things we’ve heard in a while.
Loraine James — Reflection
North London artist Loraine James found her way into a fair few 2019 best-of lists with her album For You and I, one of the finest experimental electronic records of the year. Here, she expands things further, delivering a dizzying meld of left-field dance music, drill, hyperpop, R&B and more.
Dora Jar — Digital Meadow
Very much a new artist to keep a beady eye on, the 24-year-old California artist Dora Jar has dropped her debut EP. She’s a fine example of this new generation of genre-surfing artists — across seven tracks, there’s a bit of folk rock, a bit of jangle-pop, a bit of R&B, a bit of everything, really.
Black Midi — Cavalcade
Black Midi made a lot of noise – both music industry buzz and incendiary din – when the London quartet released their debut album in 2019. On this second album, Cavalcade, they’ve expanded their sound palette. They definitely haven’t gone pop, but there is a new musical maturity on display here that in time, might yet make them genuinely popular.
Mustafa — When Smoke Rises
When Smoke Rises is a painfully intimate snapshot of 24-year-old Mustafa Ahmed's life in Toronto’s Regent Park neighbourhood. He says he wants to commemorate the shockingly large number of young friends he has lost to violence, and delivers a very sad, very beautiful, and fitting tribute to the many departed.
Sigrid — Mirror
Festival season is so close that we can almost taste the warm cider, and this song from Norwegian star Sigrid will help us get over the line. The singer says it’s designed for those big summer events, and people who want to “feel the bass in their chest”. It delivers exactly the type of big beats and singalong choruses we’ll be looking for.
Rebecca Black — Worth It for the Feeling
In case you missed it, Rebecca Black has returned, and she’s a million miles away from the track, Friday, that made her go viral all those years ago. This is her most recent offering, and it’s a perfect showcase of what the 23-year-old is all about now, with sleek, shiny R&B and a commanding voice.
NAYANA IZ — Breaking Point
One to watch, this 20-year-old north Londoner has been releasing tracks in her current guise since 2018. This latest track is a lusciously downbeat blend of stripped-back singing and near-whispered raps, with a versatility that makes the two seem like natural progressions of the other. Keep an eye on where she goes next.
Squirrel Flower — Flames and Flat Tires
We first became aware of this American artist when we heard her glorious indie-rock reimagining of Caroline Polachek’s So Hot You’re Hurting My Feelings back in 2020. She returns with her new album, Planet (i) on June 25, and this fuzzed-out, echoing, layered track, which was written while quarantining in Bristol last year, is the latest indication of what’s to come.
Steam Down — Empower
Steam Down, the genre-swirling collective who came to prominence with their weekly, high-octane jam sessions in Deptford, will drop their debut EP, Five Fruit, on September 24. It sounds like it’s going to be special: this hugely energetic, unclassifiable first single is superb,bringing nothing but positive vibes:“You must know you are powerful!”
Olivia Rodrigo — Sour
As on Drivers License, and like songwriters she admires such as Taylor Swift and Lorde, Rodrigo has used her first album to dramatise the tortured navigations of life as a young woman, employing small details to show a universal picture. The power is in Rodrigo’s versatile voice, which can flip from beautiful and sweet to bratty disdain from track to track.
James Vincent McMorrow — Paradise
The Irish artist has proved himself to be far more versatile over the past 10 years than you might have expected after hearing the acoustic folk of his debut album. Now gearing up to release his fifth (Grapefruit Season, July 16), this first single is in the realm of quaintly retro pop, with his lovely falsetto as warm as ever.
Oneohtrix Point Never feat. Rosalía — Nothing’s Special
You wouldn’t have guessed it from his early experimental stuff, but Daniel Lopatin, AKA OneohtrixPoint Never, is now one of the US’s most in-demand producers. He’s worked most famously with The Weeknd and FKA twigs, and here teams up with Spanish sensation Rosalía for an eerie reimagining of his track Nothing’s Special.
Mysie — Undertones
Winner of the Ivor Novello Rising Star award and signed to Fraser T Smith’s 70Hz label, Mysie has turned a lot of heads already in her relatively short career. The south-east Londoner’s new EP is a sophisticated, refined slice of low-tempo indie pop, showcasing her subtle, restrained, intriguing voice. One to watch.
Paul Weller — Fat Pop Volume 1
At 62, Paul Weller could be repackaging his greatest hits and counting the cash, he’s obviously finding great joy in his writing and that can’t help but rub off on the rest of us. There's something for everyone here – and that “Volume 1” in the title suggests that we won’t have to wait long for yet more songs either. Even better.
St Vincent — Daddy's Home
Despite all the baggage that precedes this album, Annie Clark sounds the most relaxed she’s ever been on record. Often more clever than fun in the past, here her guitar creates lush prog-rock textures. An electric sitar gives a woozy feel to Live in the Dream and Down and Out Downtown. On …At the Holiday Party there’s an organic, Laurel Canyon vibe. It’s a calm, beautiful experience, even if it’s far from the sound of her settling down.
J. Cole — The Off Season
He's been talking about it since 2018 at least, but now J. Cole has finally released his new album. Few other Stateside rappers generate quite as much hype as him, so you can expect this one to make quite the splash.
Sleater-Kinney — Worry With You
There’s a new Sleater-Kinney album on the way, and it marks something of a new era for the indie-rock veterans: long-time member Janet Weiss has departed, and Path of Wellness (out June 11) will be the band’s first ever self-produced LP. Recorded during lockdown, this first single is groovy and neurotic.
Sons of Kemet — Black to the Future
A new Shabaka Hutchings project is always something to get excited about. This latest offering, from the powerhouse reedsman’s Sons of Kemet band, is positively electric, a riot of rhythm, politically charged and deeply conceptual. There are some killer features too, from Kojey Radical to D Double E.
Berwyn — Rubber Bands
Anyone who’s been following the career of Trinidad-born, Romford-raised artist Berwyn so far will know he’s got potential for great things — and now we’ve got news of his second mixtape, TAPE 2 / FOMALHAUT, due to drop on June 18. It’s described as “a room of many corners”, and this smooth, forlorn single is the first.
Wild Pink — Ohio feat. Samia
Fancy some expansive, tenderly realised rock? This track from New York trio Wild Pink is just the ticket. It’s a breeze of misty instrumentation and gentle synths, but the whole thing is elevated by the inclusion of another Big Apple artist, Samia, who lends some floating vocals to lovely effect.
Rag’n’Bone Man — Life By Misadventure
On his mega-selling first album, 6’ 5” Rory “Rag ‘n’ Bone Man” Graham came across as a kind of digitised lumberjack of the future, mixing mountainous bellowed vocals with polished electronic production. It was a modern take on the blues that was a fine fit for arena gigging. So it’s surprising to hear him describing Life by Misadventure as “a lesson in restraint”, but that’s exactly what it is.
Dodie — Build A Problem
Dodie Clark’s extensive fanbase will be more than ready for her debut album. Now 26, she’s been posting home-made videos on YouTube since 2007. More casual observers of her career to date will be expecting something highly twee – all her cover versions have come over like one long audition for the John Lewis Christmas ad – so the darkness and maturity on display here is surprisingly powerful.
Alfie Templeman — Forever Isn’t Long Enough
Eighteen year old Alfie Templeman has (like the rest of us) been stuck at home during the pandemic, but the rising star hasn’t lost any of his burgeoning popularity. In fact, his sun-dipped EP Happiness In Liquid Form, released last summer, only boosted things. This “mini-album” is the follow-up, full of slick, infectiously groovy tracks.
India Jordan — Watch Out!
London-based DJ and producer India Jordan is very much one of those artists that we can’t wait to see live once the clubs reopen. The beats on this EP are relentlessly energetic, none more so than on opening track Only Said Enough, a glorious explosion of clattering drums and a soaring vocal sample. It’s the ecstatic sound of released tension; something we can all relate to.
Joe Armon-Jones — Pray
Joe Armon-Jones, who lends his magic on the keys to Ezra Collective and has collaborated with Tony Allen, Nubya Garcia and many others, has launched a new label, Aquarii Records. This is the first release, a fusion of jazz, hip-hop, funk and soul, featuring Morgan Simpson of Black Midi on the drums and Nubiyan Twist bassist Luke Wynter.
Lucinda Chua — Antidotes 2
South London-based artist Lucinda Chua released Antidotes 1 back in 2019, and this EP is the second installment. It’s a gracefully glacial piece of ambient, sparsely arranged but certainly not lacking in any depth, and with a voice the settles peacefully within the soundscapes she creates. It’s quiet and restrained, yet exceptionally moving.
Iceage — Seek Shelter
Danish band Iceage are a shining example of how to mature as a band. Over the course of a few years an albums, they've gone from a fiery, unvarnished post-punk outfit to an altogether more varied beast. This multi-faceted album is the latest step forward.
Evan Jones — Simmer Down feat. Dwara
A new track from Tottenham-based artist and poet Evan Jones, Simmer Down is a forlorn, gently powerful take on anger and remorse. Sung over a forlorn beat, it's all elevated by the fluttering vocals of Dwara.
Julia Stone — Sixty Summers
This is Julia Stone’s first solo album in almost nine years – a whizzy, technicolour St Vincent production that exists on a whole new planet from the autumnal indie folk she has made to date. Stone’s bewitching, unusual voice – like a wispier Stevie Nicks – keeps things just about familiar for long-term fans, but otherwise everything has changed.
Royal Blood — Typhoons
To date, Royal Blood's monolithic sound has consisted of bass, vocals and drums, and little else. The masses approve, sending both of their albums to number one, but the second release was more of the same and didn’t sell in such vast quantities. Third time around, with Typhoon, they’ve solved the dilemma in emphatic style.
Billie Eilish — Your Power
What’s that sound? It’s the New Billie Eilish Album Klaxon! Happier Than Ever has now been given an official release date (July 30) and this track is the third single. It’s bound to get people talking — there’s some pretty strong imagery in the video i.e. an 80lb anaconda — and the lyrics seem to be a takedown of a well-known, but nameless abuser: “Will you only feel bad if it turns out that they kill your contract?” she sings.
Jessie Ware — Please
Jessie Ware’s last album, What’s Your Pleasure?, landed in summer 2020 and very much became one of those records to blast out whenever the lockdown blues needed alleviating. She’ll soon release a deluxe version, which will feature this bouncy house track — as Ware says, it’s “ready to be played in a place where we can all be together and flirt, dance, touch and kiss”.
Emma-Jean Thackray — Say Something
The multi-talented composer-producer-performer-DJ Emma-Jean Thackray has been turning heads for some time, but now she’s gearing up for debut full-length album, Yellow. She says the album is the sound of her “trying to simulate a life-changing psychedelic experience”, and this first single — a jazzy dance track that builds to a rapturous climax — sounds like she might just have captured it.
Faye Webster — Cheers
Atlanta artist Faye Webster will deliver her new album, I Know I’m Funny haha, on June 25. This first single, Webster says, is “kind of the outlier on the record” — it builds with plodding drums and scuzzy bass, and just when you think there’s going to be some big, grungy release, it breaks into something altogether lighter.
girl in red — if i could make it go quiet
The hugely anticipated debut album from Norway’s girl in red is finally here. Lyrically, it’s a further exploration of the themes that she’s been grappling with for years — love, mental health and more — but sonically it’s more expansive than ever, drawing in various genre strands and mashing them all together.
Tom Jones — Surrounded By Time
Tom Jones is making his weirdest music in years. Since 2010 he’s been working with producer Ethan Johns and released three albums in the vein of late period Johnny Cash and Neil Diamond, tackling old cover versions with a minimal backdrop that allowed the gravitas of a mighty voice to be fully admired. It’s heady stuff, even more surprising if you’ve only heard him on ITV lately. What a wonderful surprise.
Chvrches — He Said She Said
This comeback track from synthy Scottish trio Chrvches is very much a product of the pandemic, recorded remotely with two thirds of the group stuck in LA and the other member in Glasgow. You wouldn’t know it though, listening to the slick production, with Lauren Mayberry’s squeaky-clean vocals gliding over huge electronic thumps.
Little Simz — Introvert
Little Simz is back, and it’s big. This six-minute track, which heralds the release of the Islington artist’s highly anticipated new album (Sometimes I Might Be Introvert, September 3), mixes grand orchestral blasts with a melancholy beat, and Simz’s dense, astute lyrics. The video is a must-watch: filmed partly in the Natural History Museum, paired with shots from London estates and archive protest footage, it’s powerful stuff.
ASHWARYA — To The Night feat. Vic Mensa
Indian-born, Melbourne-based rising artist ASHWARYA will deliver her debut EP Nocturnal Hours on June 10. This is the first taste of what’s to come, with a single that shifts beat and mood from swelling pop crescendos to stripped-back, smoky dance rhythms. Chicago rapper Vic Mensa drops a solid verse, too.
Jai Paul’s recreated MySpace page
The ever-elusive Jai Paul has marked 10 years since the release of his hugely influential track BTSTU by recreating his old MySpace page as it was back in the day. It’s more than just a trip down memory lane for the Rayners Lane artist though — there’s the chance to listen to the rare Super Salamander track, some archival material and fresh BTSTU remixes.
Flying Lotus — Black Gold/Between Memories
Groundbreaking LA producer Flying Lotus is the man in charge of the soundtrack for Yasuke, a new Netflix anime series. He’s now shared two singles, featuring regular collaborators Thundercat and Niki Randa, and the sound is classic Flylo: jazzy, astral, slightly psychedelic and full of feeling.
AJ Tracey — Flu Game
The 27-year-old Ladbroke Grove rapper is really going for the big time. With the basketball theme of this new collection, front loaded with dense, murky sounds that are a long way from the poppier stylings of his biggest hits so far, he surely has one eye on appealing in America.
London Grammar — Californian Soil
Nottingham-formed trio London Grammar have big plans for the return of live music, not least two nights in cavernous Alexandra Palace in the autumn and a headlining spot at Hackney’s All Points East festival in August. They’re spaces that require a band to hold mass attention at a considerable distance, and on this new record, they've bolstered their sound to do exactly that.
Rina Sawayama — Chosen Family feat. Elton John
Rina Sawayama has re-released Chosen Family, one of the most moving tracks from her self-titled 2020 album, and enlisted none other than Sir Elton John for the remixed version. Rocketman does what he does best, lending vocals and some newly layered pianos. As team-ups go so far in 2021, this is the one to beat.
Paul McCartney — McCartney III Imagined
He made us wait a few decades to finally get the final instalment in his self-titled trilogy, but just months after the release of McCartney III, Macca’s back for more (kind of). He’s handpicked a selection of his favourite artists — everyone from Phoebe Bridges and Damon Albarn to Josh Homme and St Vincent — to remix and reinterpret each track on the record.
Lucy Dacus — Hot and Heavy
Indie favourite Lucy Dacus, who makes up one third of Boygenius alongside Phoebe Bridgers and Julien Baker, returns with her third album Home Video on June 25. The record is inspired by Dacus’s revisiting of her adolescent, coming-of-age years in Virginia, and this first single is soaked in all the bittersweet nostalgia you’d expect.
Erika de Casier — Polite
The latest track of Copenhagen-based Erika de Casier’s upcoming album Sensational (May 21) was inspired by a “nightmare date” with someone who was rude to a waiter and only spoke about themselves. A sadly familiar story for a lot of people, but at least it’s given us this subtly groovy track, with lyrics such as “If you wanna be my type you better start being polite” reminding us that good manners don’t cost a thing.
Grand National - Courting
Pleasingly shouty and satisfyingly sardonic, this new EP from the young Liverpool band (they’re all still teenagers) is a joy for anyone who remembers Brit Pop the first time around. This is tight, witty writing that takes itself seriously without being pretentious.
Slidin’ - Ed O’Brien/Paul McCartney
The latest tidbit shared from the forthcoming McCartney III Imagined (out next week, it features artists like St Vincent, Damon Albarn and Josh Homme messing about with the former Beatle’s latest solo album) is a definite ramping up by the Radiohead guitarist. Whisper it —I sort of prefer it.
Elyne Road - Toumani Diabate and the London Symphony Orchestra
This gently soaring combination of ancient jeli (griot) melody and Western orchestral arrangement is part of a Barbican-commissioned project to be released on April 23 (Kôrôlén, a Mandinka word meaning ancestral), featuring Diabaté’s group of Malian musicians with the LSO, arrangements by Nico Muhly and Ian Gardiner and Clark Rundell waving the baton.
The Things I Can’t Take With Me - Yaya Bey
Brooklyn-based Yaya Bey’s smoky, jazz-inflected style is showcased on this EP, inspired by a painful breakup. Spare but layered (and short), songs like the first singles fxck it then and September 13th (the day Bey, inset, realised said breakup was inevitable) are personal, conversational and totally compelling.
Ryley Walker — Course in Fable
While the songs on Ryley Walker's fifth solo album in seven years might undergo sudden gear changes and veer off course, these songs always return to recognisable structures and are generally as beautiful as they are strange. It may not always be obvious where he’s going, but he vists some highly appealing places along the way.
Sons of Kemet — Hustle feat. Kojey Radical
The ever-brilliant Shabaka Hutchings is back with Sons of Kemet, who are set to release their first full-length since the searing Your Queen Is A Reptile in 2018. Black to the Future, out May 14, promises some tantalising features, from Chicago jazz force Angel Bat Dawid to grime legend D Double E, as well as Kojey Radical, who shines on this bubbling first single.
Waxahatchee — Saint Cloud +3
Katie Crutchfield AKA Waxahatchee delivered one of 2020’s finest albums with Saint Cloud, and this is the newly released “deluxe” version. It features all of the same tracks before, plus three lovely new covers of tracks by Bruce Springsteen, Lucinda Williams and Dolly Parton. Our favourite is the warmly rootsy take on Springsteen’s Streets of Philadelphia.
The Joy Formidable — Into the Blue
Welsh rockers The Joy Formidable have returned with this huge, swaying track, their first piece of new music for three years. The lyrics are about “making it to the other side,” says frontwoman Ritzy Bryan. “Whilst not conceived as a metaphor for the times we all live in now, it certainly turned out that way.”
Jon Hopkins — Spatial Mix
UK producer Jon Hopkins is the latest artist to get Spatial Mix treatment — where artists give over their tracks to the BBC’s sound engineers, who transform them into binaural audio, giving the music the feeling of being 3D. It adds a whole new layer of immersion to Hopkins’ already transportative Singularity album, and is best experienced through headphones.
My Bloody Valentine
Shoegazers of the world, unite! My Bloody Valentine are on streaming services again, after the legendary band signed to Domino and the label decided to put their entire discography back online. Join us in spending the next few days luxuriating in those lovely, lovely guitar tones.
Ben Howard — Collections from the Whiteout
Some of Ben Howard's subsequent music has had a problem with murkiness, lacking the ability to hold attention as it smears ambient passages all over. On this fourth album, his stepping to one side really works. He has accepted the involvement of producer Aaron Dessner’s impeccable address book, found a balance that could please everyone.
For Those I Love — For Those I Love
The dance music that David Balfe creates on this extraordinary debut album is lively and often beautiful, scattered with high vocal samples, but the real focus is Balfe’s starkly personal spoken word delivery. There are echoes of The Streets, The Blaze and Jamie xx, but this is something all its own.
Black Midi — John L
Black Midi, the young south London band whose whacked-out experimentalism got them a Mercury Prize nomination in 2019, will return with a new record, Cavalcade, on May 28. Playing it safe for the difficult second album? No chance. This first single finds the group at their raucous, erratic best, with chaotic rhythms, a menacing riff and esoteric vocals all colliding.
Beabadoobee — Last Day on Earth
Viva la Nineties! Beabadoobee won over legions of fans by fusing various styles of guitar music from the decade into a youthfully fresh debut album last year, and the love affair continues on this new track. It’s a bit britpoppy, a bit shoegazey, and entirely catchy. A new EP, Our Extended Play, is due to arrive sometime this spring.
Floating Points, Pharoah Sanders and the London Symphony Orchestra — Promises
What happens when you get one of the UK’s most respected electronic producers, a legend of spiritual jazz, and a world-class symphony orchestra, and have them make an album together? That’s the tantalising question behind this 46-minute, one song release, and the results are extraordinary. Meditative, transporting, challenging and enlightening — take time to absorb this one.
John Grant — Boy From Michigan
John Grant has been one of the most interesting songwriters of the past decade or so, and it looks as if he’ll keep the intrigue going on his upcoming album. Boy From Michigan will land on June 25, and this titular track is a trippy, jazzy reflection on passing over from childhood into adulthood. Fans of astral-sounding electronics should check out the extended seven-minute version.
BBC 6 Music Festival
This year’s edition of the excellent 6 Music Festival has gone digital, which means there’s plenty to check out this weekend. There will be newly recorded sets from the likes of Michael Kiwanuka, Bicep, Laura Marling, Nubya Garcia and Black Country, New Road, with the archive footage covering Anna Calvi, Loyle Carner, Little Simz, Foals and more. Head here to get involved.
SK Shlomo's BST Rave
Celebrating the return of longer days with the clocks going forward, this stay-at-home rave will feature sets from organiser SK Shlomo, Rob Da Bank, Sophie Ellis-Bextor and more. It's all in support of suicide prevention charity CALM. Things kick off at 8.30pm and carry on until 2am. Zoom tickets are free but donations are most definitely encouraged. Visit https://bstrave.com/ for more info.
Lana Del Rey — Chemtrails Over the Country Club
Lana Del Reyseems less connected than ever to the whizzy preoccupations of the livestreaming, TikTok-ing pop world on her latest album. That's not a bad thing. Like its creator, the record is off in a world of its own, free of commercial obligations and revelling in that autonomy. It’s a lovely place to visit.
ENNY — Same OId
ENNY is on the rise. The south London singer-rapper made major waves with her single Peng Black Girls and the subsequent remix with Jorja Smith, and now she’s back with this latest single. It pretty much sums up everything about her that’s making everyone so excited — over an old-school beat, she delivers lyrics covering Brexit, gentrification, love and frustration with shape-shifting vocals.
Laura Mvula — Church Girl
How has Laura Mvula built this time machine and who do we talk to about getting a ride in it? Church Girl is synth-tastic Eighties throwback with more than a whiff of Prince, but it’s still sounding incredibly fresh, with one of our favourite choruses of the year so far. A new record — “the album I’ve always wanted to make,” Mvula says — called Pink Noise arrives on July 2.
L’objectif — Drive In Mind
L’objectif — a Leeds-based four-piece, no member older than 17 — have delivered their debut single. It wears its influences on its sleeve; frontman Saul Kane’s vocals bring to mind the half-drunk-sounding growls of Iceage’s Elias Rønnenfelt, and there’s a lot of the post-punk energy here that’s defining a new cohort of UK bands. But it’s an undeniably solid track — expect to hear lots more about them.
Jae5 — Dimension feat. Skepta and Rema
Jae5, the production wizard best known for his alchemical work with J Hus, has come through with his first ever solo single. The laid-back beat is classic Jae5 — “heavily influenced by Afrobeats and the UK urban scene,” as he describes it — with a typically solid verse from Skepta and a silky hook delivered by Nigerian artist Rema.
Valerie June — The Moon and Stars: Prescriptions for Dreamers
It looks like we’re in new territory with the latest album from Deep South singer-songwriter Valerie June. She gave her latest co-producer, Jack Splash, a list of words to indicate the feel she was going for this time: “Spirituality was one, iridescence was one, illuminance was one. Ethereal was one. And magical, fairylike, dreamy, colourful.” So while her acoustic guitar and distinctive twangy voice are still very much present, they sit amid a trippy, more freeform sound that leaves plenty of room for surprises.
Tony Allen — Cosmosis feat. Ben Okri and Skepta
On April 30 last year, the world one lost one of its finest ever drummers with the passing of Tony Allen. A year on from that date, the Afrobeat legend’s final ever studio album will be put out into the world. This superb first single — co-written with Damon Albarn, and featuring bars from Skepta and poetry by Ben Okri — proves Allen was still a master of his craft.
Jorja Smith — Addicted
Jorja Smith returns with her first solo single of the year, a mournful, powerfully restrained track about the pain of the addiction. There’s no word on a new album yet, but we’re keeping our fingers crossed that one arrives soon. Be sure to seek out the video, too, which is very much a product of lockdown, shot entirely on a MacBook.
Everything Everything — Supernormal
Everything Everything are on a real hot streak. Their 2020 album Re-Animator was among their best work, and now the Manchester quartet are back with more music in a similar vein. It’s a manic mix of hulking guitars, yelping vocals and hurtling drums, and is accompanied by one of the weirdest videos you’re likely to see for a while — check it out if you wanted to be thoroughly unnerved.
Loraine James — Simple Stuff
North London artist Loraine James released one of 2019’s most interesting electronic albums with For You And I, and on June 4, she’ll deliver a new full-length called Reflection. This first single is a very promising start: it’s twitchy, stripped down and bassy, finding a deep groove amongst all the fractures of the beat.
Drake — Scary Hours 2
Is it a new Drake album? Not quite — but it’s imminent. In 2018, Drake dropped the Scary Hours EP as a precursor to his full-length record Scorpion, and now he’s delivered Scary Hours 2. It’s a three-track release, featuring Lil Baby and Rick Ross, and seems to indicate that Certified Lover Boy (initially set for January) could be just around the corner. Hold tight.
AJ Tracey — Anxious
It’s usually the birthday boy that gets the presents, but as AJ Tracey celebrates turning 27, he’s gifting us with this brand new track. It’s another top-notch track from the Ladbroke Grove artist, with an hard, icy beat and an exacting flow (proving once again that he can manipulate his flow to just about any rhythm).
St Vincent — Pay Your Way In Pain
Excellent news: one of America’s most brilliantly idiosyncratic artists is returning with a new album. St Vincent will deliver Daddy’s Home on May 14, and has given us the first taste with this new single. It’s a wonked-out, synth-heavy funk track, with coarse, manipulated vocals and slightly surreal lyrics on how modern life is a struggle. It’s good to have her back.
Mychelle — The Way
A mesmerising debut single from Hackney-based artist Mychelle. She was spotted by Idris Elba back in 2019, who in turn asked her to contribute to his Yardie Mixtape project, and it’s easy to see what piqued his interest — this new song showcases an enchanting, searching voice, which floats above an artfully plucked acoustic guitar. Certainly one to watch.
Justin Bieber — Hold On
Those bloody Eighties, eh? They just refuse to go away. The latest megastar to hop on the retro-styled bandwagon is Justin Bieber with his new single Hold On. It’s positively drenched in aesthetics, but that chorus hook is undeniably catchy. It’ll feature on Bieber’s upcoming sixth studio album, Justice, out on March 19.
Yaw Tog, Stormzy, Kwesi Arthur — Sore (Remix)
Last September, 17-year-old Yaw Tog — a leading artist in the asaaka scene of drill artists from the Ghanaian city of Kumasi — set the internet alight with his debut single Sore. It turned heads around the world, including those of Stormzy and Kwesi Arthur. The three artists all link up on this fiery remix of the track. Expect to hear plenty more from this part of West Africa in the coming months.
No Rome with Charli XCX and The 1975 — Spinning
This track is the work of what’s been described by Charli XCX as a newly formed “supergroup” featuring her, Matty Healy’s The 1975 and London-based Filipino artist No Rome. Whether there’s more to come remains to be seen, but judging by this delightfully breezy slice of pop, we certainly hope so. Add it to your “music to dance to post-lockdown” list.
Nick Cave and Warren Ellis - Carnage
This is the Nick Cave and Warren Ellis's first collection of songs as a duo outside of film work. Like the last Bad Seeds album, Ghosteen, it’s characterised by Cave’s portentous not-quite-singing being mixed with shimmering, abstract electronics, but there’s a bit more energy here and a few touches that puncture the gravitas. All in all, it's an incredible spontaneous gift.
Julien Baker - Little Oblivions
As a solo artist, across her previous two albums Baker has been all about the lyrics, with minimal backing accompanying her tortured, startlingly open confessionals. On Little Oblivions, forensic self-examination is still a major element, but the music is a whole new, expansive experience.
Jade Bird — Open Up the Heavens
Described by Bird as her “favourite” track on her upcoming album, this new single was recorded in Nashville and a fair bit of that city’s musical heritage seeps in — it’s alive with rattling country-rock riffs and the quivering rasp of her voice. There’s no title or release date for that forthcoming record, but this track has us waiting impatiently.
Wolf Alice — The Last Man on the Earth
Ditching the alt-rock revivalism that won them a Mercury Prize for their 2017 album Visions of a Life, Wolf Alice return with this twinkling piano track. Vocalist Ellie Roswell’s gently sung vocals float above the misty instrumentals, which eventually build up into something that, at one point, resembles the Beatles at their most ballad-ish. The new album, Blue Weekend, arrives on June 11.
Kero Kero Bonito — The Princess and the Clock
Loosely aligned with the hyper-pop cohort — the likes of 100 Gecs, A.G. Cook and Charli XCX — London trio Kero Kero Bonito will release a new EP, Civilisation II, on April 21. This is the lead single, a hyperactive sprint of bombastic synths, offset by Sarah Bonito’s serene vocals. Get ready for the chorus melody to remain stuck in your head all weekend.
Pino Palladino and Blake Mills — Ekuté
Welsh bass master Pino Palladino — session musician for everyone from The Who to D’Angelo — links up with American artist Blake Mills for this intriguing track. It comes across as something like deconstructed Afrobeat, with disembodied limbs of trumpets, guitars, drums and electronics appearing and then disappearing. The full project, Notes with Attachments, is set for March 26.
Ghetts — Conflict of Interest
Other grime artists are more recognisable to casual fans, but few have earned consistent acclaim for as long as Ghetts. On his first album for Warner, may be surprised by the subdued maturity on display here. The old anger returns on political tracks such as IC3 featuring Skepta, but largely, this is slow-moving, sophisticated fare befitting of an elder statesman.
Ariana Grande — Positions (Deluxe)
Five new Ariana tracks for a Friday? Oh, go on then. The ever-productive Grande has dropped a “deluxe” version of her chart-topping album Positions, with five songs added to the tracklist. One of them is the already released remix of 34+35 with Doja Cat and Megan Thee Stallion, while the others are two-minute bursts of the type of smooth, silky R&B we’ve come to know her for.
Moses Boyd — 2 Far Gone feat. Katy B
It’s the south London link-up that not many people saw coming, but boy, does it work. Catford’s jazz supremo Moses Boyd has remixed his track 2 Far Gone with vocals from Peckham’s Katy B. Her smoothly casual contribution is a stellar addition to the track, which bubbles along with dark garage shuffles and rippling tuba.
Mahalia — Jealous feat. Rico Nasty
Mahalia returns with her first piece of new music as the lead artist since last year with this track. The slow R&B groove of the beat is flecked with flamenco-tinged guitars, and US artist Rico Nasty drops in for a verse towards the end. The video, which features Mahalia tinkering with an unsuspecting man’s smart heating system, is worth a watch, too.
Dawn Richard — Bussifame
On April 30, Dawn Richard will release a new album called Second Line: An Electro Revival. According to the New Orleans artist, whose work blends experimental pop, dance and R&B, the record will kick off “a movement to bring pioneering Black women in electronic music to the forefront”. Bussifame is the first step — a bouncy, retro dancefloor delight.
Taylor Swift — Love Story (Taylor’s Version)
The latest development in the who-owns-the-rights-to-Taylor-Swift’s-music saga is here. The master recordings for Swift’s first six albums are currently owned by a private equity firm against her will, so the US artist is re-recording and re-releasing the whole lot. First up, it’s a note-for-note remake of her 2008 country-pop megahit Love Story, re-gifted to the world just in time for Valentine’s Day.
Slowthai — TYRON
On this second album, its title already implying that it’s going to show listeners the real him, the aim is to display definitively how multi-faceted Slowthai is. It arrives in two halves, the A-side featuring seven rowdier songs with titles all in capitals, the flipside filled with lower case, relatively quiet material and some moments of genuine beauty.